song when the Holy Spirit taught his heart and harp to sing it, and when he gave it over to “the chief musician” for temple-use, to be sung or played “on Gittith.” He may have had as dim a view of its real reference, as we have of the reference of the term “Gittith;” yet that alters not the Holy Spirit’s meaning. The most skilful of our critics can do no more than give obscure suggestions as to what the title means; yet that alters not the certainty that the title “Gittith” had its sure and definite